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MADPOD #175a The Outlaws Interview Exclusive!

June 16, 2006

Southern rock unit the Outlaws was formed in Tampa, FL in 1972 by singers/guitarists Hughie Thomasson and Henry Paul, bassist Frank O’Keefe, and drummer Monte Yoho. With the 1973 addition of guitarist Billy Jones, the lineup was complete, and after a year of intense touring the band became the first act signed to Arista under Clive Davis; the Outlaws’ self-titled 1975 album spotlighted their Eagles-influenced harmonies and Allman Brothers-like guitar attack, yielding the Top 40 hit “There Goes Another Love Song.” In the wake of 1977’s Bill Szymczyk-produced Hurry Sundown, both Paul and O’Keefe exited, with guitarist Freddie Salem, bassist Harvey Dalton Arnold, and second drummer David Dix signing on for the 1978 concert set Bring It Back Alive and the studio effort Playin’ to Win. Salem was the next to go, and the lineup shuffles continued when Arnold announced his departure following 1979’s In the Eye of the Storm, with bassist Rick Cua recruited for the next year’s Ghost Riders in the Sky, which netted a Top 40 entry with its title track, a rendition of the Vaughn Monroe favorite. Yoho left to rejoin Henry Paul soon after, and with the subsequent exit of Jones, only Thomasson remained from the original Outlaws roster * not surprisingly, the group disbanded upon completing 1982’s Los Hombres Malo. A year later Thomasson and Paul formed a new Outlaws lineup, adding guitarist Chris Hicks, bassist Barry Borden, and drummer Jeff Howell; after issuing 1986’s Soldiers of Fortune, Paul again quit the band, with the remaining quartet returning in 1993 with Hittin’ the Road. While Paul resurfaced in 1994 in the chart-topping contemporary country band Blackhawk, Thomasson later toured with the reformed Lynyrd Skynyrd while continuing to lead the Outlaws, releasing So-Low in 2000. Sadly, Jones and O’Keefe died within three weeks of one another in early 1985. Hughie joins Shadoe Steele from the Missouri Ozarks.

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Interview courtesy Jeff Albright, The Albright Entertainment Group.

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MADPOD #136 THOMAS DOLBY Exclusive Interview

March 10, 2006

MADPOD THOMAS DOLBY Exclusive Interview

SHE BLINDED ME WITH SCIENCE
Dolby Mentions that “Podcasting and Satellite Radio is the FUTURE!…”

Thomas Dolby became one of the most recognizable figures of the synth-pop movement of early-’80s new wave. Largely, this was due to his skillful marketing. Dolby promoted himself as a kind of mad scientist, an egghead that had successfully harnessed the power of synthesizers and samplers, using them to make catchy pop and light electro-funk. Before he launched a solo career, Dolby had worked as a studio musician, technician, and songwriter; his most notable work as a songwriter was “New Toy,” which he wrote for Lene Lovich, and Whodini’s “Magic’s Wand.” In 1981, he launched a solo career, which resulted in a number of minor hits and two big hits — “She Blinded Me with Science” (1982) and “Hyperactive” (1984). Following “Hyperactive,” he began producing more frequently, as well as exploring new synthesizer and computer technology. Thomas speaks with Shadoe Steele from his home in Northern California’s Bay area.

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Musicologist Shadoe Steele