MADPOD.com  ALANNAH MYLES Interview

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MADPOD Eric Burdon from The Animals Interview

Host:JADonnelly

Musicologist:Shadoe Steele

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There are few bands in the annals of rock music as star-crossed in their history as Badfinger. Pegged as one of the most promising British groups of the late ’60s and the one world-class talent ever signed to the Beatles’ Apple Records label that remained with the label, Badfinger enjoyed the kind of success in England and America that most other bands could only envy. Yet a string of memorable hit singles * “Come and Get It,” “No Matter What,” “Day After Day,” and “Baby Blue” * saw almost no reward from that success. Instead, four years of hit singles and international tours precipitated the suicides of its two creative members and legal proceedings that left lawyers as the only ones enriched by the group’s work. Legend and only living member Joey Molland joins Shadoe exclusively from his home near Minneapolis.

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Host:JADonnelly

MADPOD#224 MUSIC SHOW

November 13, 2007
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  • Podsafe Music Network
  • Music From:

Podsafe Music Network – Thomas Dolby
Podsafe Music Network – Sender
Podsafe Music Network – Lovechild
Podsafe Music Network – Removed

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MADPOD show The Outfield Interview
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MADPOD THOMAS DOLBY Exclusive Interview

SHE BLINDED ME WITH SCIENCE
Dolby Mentions that “Podcasting and Satellite Radio is the FUTURE!…”

Thomas Dolby became one of the most recognizable figures of the synth-pop movement of early-’80s new wave. Largely, this was due to his skillful marketing. Dolby promoted himself as a kind of mad scientist, an egghead that had successfully harnessed the power of synthesizers and samplers, using them to make catchy pop and light electro-funk. Before he launched a solo career, Dolby had worked as a studio musician, technician, and songwriter; his most notable work as a songwriter was “New Toy,” which he wrote for Lene Lovich, and Whodini’s “Magic’s Wand.” In 1981, he launched a solo career, which resulted in a number of minor hits and two big hits — “She Blinded Me with Science” (1982) and “Hyperactive” (1984). Following “Hyperactive,” he began producing more frequently, as well as exploring new synthesizer and computer technology. Thomas speaks with Shadoe Steele from his home in Northern California’s Bay area.

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Hosted by JADonnelly
Musicologist Shadoe Steele